Seeking validation of her sex appeal an aging lesbian Natalie, becomes obsessed with a young college coed, Bianca. The compulsive attraction she has for the young girl is further complicated by the fact that Bianca has an older lover already. Bianca’s older lover is one of her professors, Laura, whom she also lives with next door to Natalie
The situation really takes a twist when Bianca actually tries to seduce Natalie making things even more complicated. Bianca is relentless however and eventually Natalie succumbs to the young girl and begins bedding her when Laura is away.
Things come to a head when Laura calls Natalie at work and asks her to go to lunch. Unaware what is on Laura’s mind she meets Laura and during lunch, Laura reveals to Natalie she knows that she is sleeping with her lover Bianca. Dumbfounded Natalie waits for the next shoe to drop when Laura suggests a solution to the problem that leaves Natalie reeling for days.
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Two lesbian lovers, Robyn who is addicted to gambling and Kellie who is a diabetic have a quarrel when Kellie finds some old betting slips and thinks the worst. Robyn is more than happy to let her lover draw the wrong conclusion.
Robyn and Kellie are young lesbian partners, very much in love. Each has a condition that they must monitor and keep under control to avoid the consequences. Robyn is a recovering gambling addict. Kellie is a diabetic.
When Kellie finds some old betting slips in Robyn’s purse she assumes the worst and flies off on a tangent about her lover’s gambling problem. Surprisingly, Robyn doesn’t contest the accusation, because she can use Kellie’s wrong conclusion to divert attention from the other thing that her partner would be even more upset about.
Robyn has tried to earn some extra money, to help defray some of the costs she incurred from her gambling debts and do something nice for her treasured partner. She just doesn’t want Robyn to know how she earned the money. Taking the tongue lashing over the gambling seems a small price.
The Ratched star has been notoriously private about her identity.
BY DAVID ARTAVIA
SEPTEMBER 11 2020 12:05 PM EDT
Actress Cynthia Nixon confirmed she identifies as queer in a new interview with Attitude magazine.
The revelation comes two years after she was first asked if she identified as queer. At the time she was mum about, telling a reporter simply, “It’s personal.” Now, she says that she’s had time to reflect, explaining that lesbian, gay, or bisexual never seemed “particularly right” for her.
“To say ‘queer’ means, ‘I’m over there, I don’t have to go into the nuances of my sexuality with you,’” said Nixon, who began dating her now-wife, Christine Marinoni, in 2004, after splitting from her husband of 15 years. “Falling in love with my wife was one of the great delights and surprises of my life, but it didn’t seem like I became a whole new person, or like some door had been unlocked.”
“It was like, ‘I have fallen in love with different people in my life and they’ve all been men before. Now, this is a woman and she is amazing,’” she reflects. “So I feel like ‘queer’ is an umbrella term, and it includes my formerly straight self, too.”
Discussions about gender identity and expression have been a hot topic at Nixon and Marinoni’s dinner table. Her eldest child, Samuel, identifies as transgender. Nixon has also been actively protesting on the streets against white supremacy and police brutality, having attended the Queer Liberation March in June as well as the Black Lives Matter protests.
“I feel like there are certain issues that the right wing seizes on again and again,” she said. “They won’t let go of abortion. They seem to have let go of a lot of the anti-gay rhetoric and antigay actions, but as they have sort of accepted gayness, they have focused on trans people, and on immigrants and on people of color.”
Nixon famously ran to be the Democratic nominee for governor of New York in 2018. This month, she is returning to the small screen in Ryan Murphy’s new Netflix series Ratched (premiering September 18), opposite Sarah Paulson’s Nurse Mildred Ratched.
In the series, Nixon plays Gwendolyn Briggs, a lesbian who is not out publicly and who begins a close relationship with Mildred.
“It’s a really peculiar thing, how much they [radical conservatives] try to separate us as a community,” she said. “But [after marriage equality] we saw a great divide in our own community, too, between those who thought, ‘I got my wedding ring, I can pass my money on to my spouse and not pay taxes, so I’m good, I’m done’, as opposed to, ‘We have so far to go for so many members of our community, we are still so far from the promised land, we’re so far from having our full civil rights.’”
“Trans people are a case in point, but also young, queer people of whatever stripe who are still, were being, tossed out of their homes and are living on the streets, many engaging in sex work to survive,” added Nixon, who formerly supported Bernie Sanders as president but is now fully on board the Biden/Harris train.
“I’m really hopeful that we will all turn out in November, because we have to. We have to do it for our country and we have to do it for our planet.”
Jenny a sheltered girl from Cincinnati, meets a wild Gothic chick, Violet at work, and it’s not long before Jenny and Violet are burning the candle at both ends.
Sheltered most of her childhood in a tightly knit religious family. When she graduates from high school, she learns that there is not money enough to send her to college. As a result she moves out of her comfort zone an takes her first job in a local hotel.
After working at the hotel for a while she meets and befriends Violet, an older Goth chick with tattoos covering her body. The friendship blossoms and leads to an intimate relationship. Violet relishes teaching the naive girl all the sweet pleasures of lesbian love. The two even move in together.
The two woman are lovers for several years, when it is obvious that the two have grown apart except for the sex, and Jenny still feels the need for male companionship, they split amicably and soon after Jenny marries another sheltered person, a man named Desmond.
Jenny’s attempts to include Desmond into her world of lesbian sex, would be most men’s dream. At first it is to Desmond and her rollicking lesbian affairs quite often include Desmond. At first just watching and sometimes even participating. But that too changes and Desmond and Jenny drift apart. Eventually Jenny, now a few years older, falls into a deep depressed state.
To break out of her depression, on a whim, Jenny decides to try the internet for a lesbian hookup and things move more quickly than she ever dreamed. She finds a person that captures her interest. The two women arrange to meet and talk about proceeding with the connection. When Jenny gets to the girls hotel room, a bottle of chilled Chardonnay in hand, she realizes she is speeding into a new sunrise as soon as the door opens.
Anya Grey is a spy. Code named: Lolita. A rising star in the espionage world, her career hits a snag when she tries to buy classified information from a brutal lesbian spy Brandie. It seems Brandie has an ax to grind.
Anya Grey has been a spy for only a short time yet she has several major accomplishments to her credit. Turning the evil Dragon Lady and her mad scientist lover Li, her crowning achievement. Now she finds she has a target on her back, and one of the Dragon Lady’s enforcers, Brandie, is seeking revenge against Agent Lolita.
Their first encounter, a simple swap of information ends up with Brandie really sticking it to Anya, literally. So much so that Anya has trouble sitting for several days. Yet still she did get what she set after from Brandie. She figured it was a one-time deal the revenge angle was over.
While at home nursing herself back to health, Anya gets a call from the Agency Director Amber. She lets Anya know that there is more to Brandie than meets the eye and an informant has revealed to the Agency that Brandie is going to strike again, on Anya, and finish the job on her, after inflicting some severe punishment.
Brandie catches Anya unaware, after sneaking into her house. She binds her and begins her retribution. The strong willed Agent Lolita bears up well during in the punishment for quite some time but, with her will broke and Brandie about to put the final exclamation point on her vengeance, the Director and her Chief of Staff Naomi show up and rescue Anya.
In the end the three Agency women decide, it’s Anya’s turn to teach Brandie a lesson and it turns into a life changing lesson for Brandie.
Like most competitive sports, seeing openly LGBTI wrestlers can be a rare occurrence.
But that’s all slowly changing.
There are a handful of LGBTI wrestlers making waves in the wrestling game, smashing stereotypes, and living their lives out and proud.
Sonya Deville
Sonya Deville (real name Daria Rae Berenato) is an American professional wrestler for World Wrestling Entertainment’s (WWE) SmackDown brand, although she started out in Raw.
The 25-year-old wrestler made her professional wrestling debut in December 2015 in WWE’s developmental brand NXT.
In 2017, she formed a trio with wrestlers Mandy Rose and Paige, known as Absolution.
Although Paige retired from wrestling in April 2018, Deville still wrestles alongside Mandy Rose. She’s also competed in big wrestling events, like Royal Rumble and Survivor Series.
Deville came out as a lesbian on national television four years ago during a televised Tough Enough competition.
‘Mandy and I were both on the show,’ she recalled to Sky Sports. ‘During the preliminary taping of the first premiere episode, they asked me if I was in a relationship.
‘I had a girlfriend at the time,’ she said.
Deville then explained: ‘I thought “What do I do… well, tell the truth, right?” So I said, “Yeah, I have a girlfriend, but she’s not my wife yet”.
‘I got nervous, and they all started smiling.
‘I said “Oh my god, I just came out on national television”. And Triple H replied, “Yeah you did!”
On why coming out is important, she said: ‘If you’re scared to do it, my advice would be do it, because it was the best thing that ever happened.’
Nyla Rose
Washington-born Nyla Rose (aka Nyla the Destroyer) actually started out as an actress.
She starred in the 2016 Canadian television comedy series The Switch as the lead character. Rose played a Native American IT manager who comes out as a trans woman and has to rebuild her life after losing her job and her apartment as a result of her announcement.
The show aired six episodes over one season.
Just last month, Rose made history by becoming the first transgender person to sign onto a major wrestling league.
All Elite Wrestling (AEW) made the announcement on 7 February and Rose confirmed the news on Twitter by posting a photo of the AEW logo, with the caption: ‘Oh it’s true alright.’
But it wasn’t all smooth sailing, with Nyla Rose getting into a heated argument with Kylie Ray on stage:
Kylie Ray vs. Nyla
The transgender wrestler has won the Warriors Of Wrestling Women’s Championship twice, the Covey Promotions Women’s Championship three times and the United Pro Wrestling Association Women’s Championship once.
Paige
Paige (real name Saraya-Jade Bevis) is an English professional wrestler, making her debut at the age of 13.
She signed on with WWE in 2011 and debuted on their main roster in 2014. In her debut match, she won the Divas Championship, becoming the youngest champion in the title’s history at the age of 21.
Paige quickly became one to watch, winning several big titles throughout her professional wrestling career. She’s also amassed a huge online following, with over 5.3 million followers on Instagram to date.
She announced her retirement from in-ring wrestling in April 2018, but then became the general manager of SmackDown. At the end of last year, she stepped down from the position, but remains in the show.
Alongside her wrestling career, Paige joined the cast of Total Divas – an American reality television show on the lives of female professional wrestlers.
During one of the episodes, fellow WWE colleague Rosa Mendes kissed Paige, who then revealed she’s bisexual.
As the cast were discussing if they’ve kissed girls in the past, Paige said: ‘I feel like it’s ok to do these days. It’s like the 21st century – I’m not very fussy.’
Mendes responds: ‘So you have been with a girl then?’
Then Paige replies: ‘Well yeah, it’s the 21st century – I just said that.’
Paige said she doesn’t discriminate between genders when it comes to finding love. She is currently dating rock band Falling in Reverse frontman Ronnie Radke.
Kris Wolf
Kris Wolf (real name Kris Hernandez) is a Chicago-born professional wrestler. She spent her childhood years in New Jersey, but eventually settled in San Francisco before moving to Japan to be an English teacher in Tokyo.
After a year and a half of teaching, she entered a competition to start joshi puroresu – a popular form of professional wrestling in Japan. She signed with World Wonder Ring Stardom.
Over the next four years, she won a couple of championships, including the High Speed Championship and the Alternative Wrestling Show Women’s World Championship.
In January this year, Wolf posted to Twitter about her wedding to her wife.
‘I found my human,’ she wrote on Twitter. ‘She makes me feel like existence is slightly less terrifying. Thank you, universe.
‘P.S. All of my in-laws are tall Vikings. The universe has quite a sense of humor,’ she tweeted.
Last month, Wolf announced her latest tour will be her last and she’ll retire due to injuries.
Carrie joins a gym to lose some weight before her class reunion, in joining the gym, she falls head over heels for her personal trainer, Britt.
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Carrie joins a gym to get in shape and lose a few pounds before her upcoming class reunion. While working out she realizes she really needs personal trainer if she is going to reach her goal on time.
Britt is the trainer Carrie selects and it isn’t long before Carrie has a crush on the tall well-built Amazon. As the classes continue, Carrie becomes more infatuated with Britt and really wants to make a move on the fitness beauty. But just before she tries, she notices that Britt is wearing a wedding ring and when Carrie mentions it, Britt begins to talk about her husband.
Even bummed out, Carrie still has fallen hard for her trainer. But accepts that it’s not meant to be and finishes the training and on the final night Carrie gets a huge surprise. Britt asks her out for a drink. To celebrate her training success. Carrie quickly accepts the offer but has little expectation of anything coming of their ‘DATE’.
The two women have a terrific time over drinks and conversation, and soon it’s time to say goodbye. The second surprise comes Carrie’s way. Once outside, Britt and Carrie exchange a very torrid kiss. The kiss at first is a surprise to Carrie, then a shock and finally sadness.
Britt wants to go further with the relationship, even though she is married. Carrie just can’t come to grips with that situation and leaves Britt standing outside the club. She drives home confused and angry at the turn of events with Britt.
After a night to sleep on it, Carrie decides to confront Britt and set her straight on how she feels about having an affair with a married woman. That’s when Carrie gets her third surprise. A surprise that changes the direction of their relationship.
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An unlucky security guard, Taylor, draws the night shift during her company’s Christmas party. Little knowing she would stumble upon a party of her own.
Taylor Burke is a security guard at the prestigious law firm Murphy and Sons. She has been tabbed to work the video surveillance cameras the night of the company’s annual Christmas party. She arrives at work that evening on a down note because of her bad luck and sets up for a boring night of watching video monitors.
The boring evening goes just as Taylor expected, until one of the junior partners, Nina King, walks into the law firm’s copy room alone. Thinking it strange she wouldn’t be at the party, Taylor watches her closely. Surprisingly, the lawyer never attempts to make any copies.
Taylor gets suspicious and is about to alert the guards in the lobby when another figure appears in the room. An intern. A younger girl that Taylor recognizes. From her vantage point, she is expecting a real spat between the two in the room over a man. Instead, the younger girl gives the lawyer a hug and begins passionately kissing the older woman.
Taylor realizes this is some lurid liaison and gets herself engrossed in the show that is beginning to unfold on the video monitor. A show that drags Taylor into the same erotic frame of mind the two she is watching are experiencing. Taylor that her self-pleasure during the lesbian couple’s lovemaking is so detached and impersonal, yet sexually appealing.
The girls go on to put on quite a show for Taylor, and thinking fast, Taylor records the action, right up until the girls seem to have finished their love tryst and the older lawyer dresses and leaves the intern in the copy room to finish dressing. That is when Taylor decides it’s time for this party to get Up Close and Personal.
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When I realized I was queer, one of the things that worried me about coming out was what kind of job I would be able to get when I grew up. Based on the movies and TV shows I had seen, gay men were all musical actors, hair stylists and florists. I can’t act, I can’t sing and my sense of style leaves something to be desired (at least that’s what I’ve been told). Without realistic queer role models, my options felt crushingly limited. Then, in 1997, the star of my favorite TV show came out as gay on the cover of Time Magazine. So did the character she played on her eponymous sitcom, with some help from a therapist played by Oprah Winfrey. Ellen DeGeneres became my role model: a queer person who achieved success with authenticity, on her own terms. She was my hero. Until she wasn’t.
Without hindsight it’s easy to discount the significance of DeGeneres coming out twenty three years ago. As Barack Obama remarked when he awarded her the Presidential Medal of Freedom, “her courage and candor helped change the hearts and minds of millions of Americans, accelerating our nation’s constant drive toward equality and acceptance for all.” But her sitcom was cancelled by ABC the season after she came out and her second run at a half-hour primetime show, this time with CBS, was a failure. It wasn’t until she hosted the Emmy Awards just two months after the attacks of September 11, 2001 that her career began to crawl back to where it had been. Since then, her daytime television program The Ellen DeGeneres Show has won thirty two Emmy Awards, she has been the face of global brands like CoverGirl and she has become the seventh most followed user on Twitter.
That kind of popularity comes with scrutiny. A recent investigation prompted by allegations that DeGeneres fosters a toxic workplace found cause to dismiss three senior producers from The Ellen DeGeneres Show. The reported offenses of Ed Glavin, Kevin Leman, and Jonathan Norman range from managing through fear and intimidation to sexual harassment to assault. Other complaints about the broader management team include such pervasive workplace issues as anti-Black racism and employees being fired after taking short-term medical leave. DeGeneres denies that she had previous knowledge of any of these transgressions, positioning herself as someone so removed from the day-to-day that she couldn’t possibly have stopped what was going on. However, I feel one former The Ellen DeGeneres Show employee said it best in a statement to BuzzFeed: “If she wants to have her own show and have her name on the show title, she needs to be more involved to see what’s going on.”
It’s not the first time that DeGeneres has been unaware of how her privilege, socioeconomic status and public standing bias her perspective. She has an estimated net worth of over $300 million, which may explain why her dealings with, and opinions of, overtly homophobic figures like the comedian and actor Kevin Hart and former U.S. President George W. Bush might differ from others in queer communities. “Just because I don’t agree with someone on everything doesn’t mean that I’m not going to be friends with them,” said DeGeneres on her talk show shortly after receiving wide public criticism for sitting with Bush at a Dallas Cowboys game last year. In the course of winning a total of four GLAAD Awards she apparently failed to learn that, for many queer and trans people, the “disagreements” she gestures to often result in rejection from family, inequal access to jobs, limited options for social support, physical violence and death.
The desperation our communities have felt under injustice have always produced remarkable role models for queers of any age to look up to. A movement that lots of people think to have started at The Stonewall Inn in 1969 is actually much much older and simply under documented. Even if I focus only on heroes active in my lifetime I am amazed. In the 1980’s and 90’s the AIDS Coalition to Unleash Power, known as ACT UP, didn’t just raise awareness through protest and advocacy for people living with HIV/AIDS. They revolutionized the way drugs are identified and tested through groundbreaking partnerships with regulatory agencies and pharmaceutical companies. When Black Lives Matter Toronto briefly halted the 2016 Toronto Pride Parade one commentator said they had “overplayed their hand” when they “went after the police community”, an opinion disappointingly shared by lots of queers at the time, most of whom were white. It turns out by speaking the truth about their experiences with police BLM Toronto was contributing to something huge. Now millions of protestors, world leaders and giant corporations are following their lead, using their hashtag and inching toward systemic change. People like Monica Roberts, who has documented the deaths of trans people on her blog TransGriot since 2006, fill voids left by public institutions and a media that doesn’t even try to report on queer and trans issues in a respectful way. Leaders like Roberts, who shows reverence for our lived experiences and humanity, are known in queer and trans circles. But they go widely underrecognized in mainstream culture. Many journalists seem to find it far more interesting to focus on issues like trans people serving in the military, which is attention-grabbing to a lot of straight cis people but falls low on the list of priorities many of our community’s leading activist keep.
It’s clear to me that, as a community, we haven’t been constantly disappointed by our heroes because we have few of them. It’s just that to get to the very top, too many queer and trans leaders need to compromise their allyship to marginalized communities in order to be taken seriously by those who have traditionally been in charge. Ellen DeGeneres engages in, or at least turns a blind eye to, reprehensible employment practices in order to keep up the pace required of an Emmy winning talk show. Openly gay Apple CEO Tim Cook, who is rarely vocal about queer issues and has said he timed his 2014 coming out to make sure it was not a “distraction” from his company’s business interests, did nothing in response to his Board’s decision to reject an externally-developed diversity strategy because it was, in their view, “burdensome and not necessary” despite the company’s management being over 80% white. Rupaul Charles routinely faces warranted public criticism for his anti-trans rhetoric and what former Rupaul’s Drag Race contestants say is the “conscious exclusion” of trans women from the show’s casting process. Caitlyn Jenner, dubbed the “most famous openly transgender person in the world”, consistently propagates political ideology that directly endagers the lives of trans people. The cultural significance and achievements of each of these figures truly can not be understated. That’s why it hurts so much when they let us down.
There’s a line from Verna Myers’s wildly popular TED talk that people in corporate circles love quoting: “Diversity is being invited to the party; inclusion is being asked to dance.” It’s a lovely sentiment that, taken out of the context of the full talk, often loses its edge. It would serve us all well to absorb Meyers’s entire presentation, which is ultimately about the benefits of embracing that of which we are most afraid. The future of work requires us to push further than one pithy line. We must question whose party we’re at, anyway. The notion mistakenly taken from Myers’s quote is often that those in dominant positions, at least demographically speaking, are the gatekeepers of success for people who are marginalized. Too many people, even in our own communities, believe that cis straight people are the masters of queer and trans destinies and that we must defer to their greater wisdom to get ahead. From the culture that this attitude creates the lessons many queers learn early in our careers is to be clear about who we are, but to act straight or to seem cis enough to fit in. We are asked to add diversity, but told to pipe down in meetings. We’re encouraged to be proud of who we are, but to not be so prideful as to make cis straight people uncomfortable with their own genders and sexualities. And we’re taught not to ever suggest that our employers rethink business practices that keep many of us out of the workforce. That would require those organizations to do things differently instead of just adding a rainbow treatment to their logo one month per year.
Icons can break boundaries and still struggle to keep up with a culture that is shifting with increasing rapidity. What the blunders, missteps and misdeeds of Ellen DeGeneres, Tim Cook and all of us who have had to put our queerness on a shelf in order to get ahead have taught me is that our most promising queer leaders can’t just wait to be invited to dance. They need to seize opportunities to show everyone on the floor their impressive moves. Because if there’s one thing I know about queer people, it’s that we throw damn good parties.
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COLIN DRUHAN is the executive director of Pride at Work Canada/Fierté au travail Canada, a not-for-profit organization that empowers employees to foster workplace cultures that recognize all employees, regardless of gender identity, gender expression and sexual orientation. For more information, visit prideatwork.ca.
During a Galactic war; a race of mutants the Retaliators, emerge to prevent Earth from a power-mad race of people threatening to conquer their homeworld.
Dawn Mason, better known as Opera part of the supergroup The Retaliators has been captured by the alien army trying to take over the Earth. She is bound and erotically tortured by the evil Martian Emerald Lily who is trying to get vital secrets from her.
Just when things look bleakest, Dawn is rescued by her team and whisked away from her captors. In time Dawn relates to Jasmine, also one of the Retaliators, InSINerator, that the sexual nature of Emerald Lily’s captivity had aroused latent feeling in her she had tried her best to suppress since she was thirteen.
An understanding Jasmine, sympathizes with Dawn, and slowly reveals her own secret intimate desires. So as to confirm for Dawn her own lesbian inclinations she takes her to a private club just for lesbians, and the two are drawn together in a combination of understanding and lust.
Their idyllic interlude however is interrupted by an alien attack that threatens not only the consummation of their love but destroy everything around them. Just when things are their darkest the United Earth Military arrives to thwart the Alien attack. Allowing Dawn and Jasmine to finish where they left off.
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