To Martina or Marti as she is called, it seems as if the undead are everywhere, she is out of gas for her chainsaw and has resorted to using an old fire axe to defend herself. Her last encounter took her to the home of one of the leading families of the small New Mexico town she lives in.
Hacking her way into the house she comes upon a terrifying scene of a family that seems to have been killed by the deadly zombie hoard. All but one girl has survived, Jessie Marti learns. The zombies dispatched of the rest of the family missing Jessie and later Marti learns Jessie’s brother Jared has been turned into a brain eating monster. Jared is trying his best to eliminate his sister.
Marti arrives just in time to rescue the terrified girl who has been hiding in a closet and chases her monstrous brother from the house but unfortunately failing to eliminate him. The two girls spend the night in the house, believing that zombies are like lightning and never strike twice in the same place twice.
Marti and Jessie are up and out the door the next morning, blindly traveling through an almost impenetrable fog. Undaunted and filled with hope they plan to meet up and join forces with a friend AB, who they feel may have the right stuff to ward off the zombie attackers and set up a safe haven during the relentless onslaught from the living dead. When they get to AB’s house things take a turn for the worse and the three realize their future may be cut short.
Bisexual poet Yazmin Monet Watkins creates her own labels and loves without limits.
Even though Yazmin Monet Watkins identifies as a bisexual African American woman, she isn’t one to attach herself to other people’s labels—and isn’t afraid to coin her own.
When she found that her new book, Love Without Limits: The Bi-Laws of Love, didn’t fit into an existing genre, she made one up. She calls her multidisciplinary project “poetography,” because it showcases not just her poems but photographs by several photographers from all around the country.
An artist across a spectrum that includes acting and writing, Watkins describes herself as someone who feels deeply. “I’m just a human being, trying to document this experience of being human,” she says.
Watkins does everything she can to infuse life into her work, and says that when it happens she can really reach people. “I’m a spoken word poet, so a lot of the poems that are in the book I also perform. I’m working with a couple filmmakers to make more poetry-music videos. There’s so much room for exploration and creativity and growth.”
Watkins says her poetry is for the masses, and brings it to the street in unexpected places. She says it’s a way to break down barriers and challenge stereotypes. She once performed at a college that she describes as “very fratty.” The event was called Lady Rush, and it was a talent pageant that doubled as a fundraiser for the senior class.
The college’s feminist collective, which was against pageantry, was protesting the event outside the building.
Inside, Watkins chose to perform her poem “This Is What a Feminist Looks Like.” She says, “It was cool to be able to infiltrate the system and tell my story in a way that was entertaining but also educational…a couple basketball jocks came up to me afterward and said, ‘I can relate to that.’ ”
While Watkins says it is her queer feminist leanings that most often inspire her poetry, her own love stories and her experiences with religion influence her work as well. She wrote the poem “Sunday Socks,” in which she quotes from Leviticus, to deal with the assertion that if you’re gay you can’t be a Christian. “I grew up in a Pentecostal Apostolic, gay-bashing type of church,” she says. “I still maintain that relationship with the spirit of God or whatever, but the poem was a response to that.”
Watkins says it has been a learning experience to accept and be comfortable in her own voice, and to be able to share her message wherever she is. “I think it’s an interesting place, being bisexual, because you’re not fully gay, you’re not fully straight. There have been a few looks where it’s like, ‘Hey, wait a minute, you were with a girl before, what are you doing with a guy?’ Or from the opposite side, ‘What are you doing with a girl, I thought you were straight?’ As corny as it sounds, I love without limits.”
Whether Watkins is at queer events with a boyfriend or at straight events with a girlfriend, she says it means the most to her when people on both sides of the fence remind her that she’s always family, regardless of who she’s dating. (yazminmonetwatkins.com)
Lesbian Erotica and is approached by a fan, through her blog, to write a BDSM story for them.
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An erotic writer for a number of years, Leigh was approached, through her blog, to write a story about bondage, discipline, sadism and masochism, something she really knew nothing about. And her first attempts left her frustrated.
Fed up with her writer’s block she decides to reach out to the fan and ask them for some background to help her make the story more realistic and erotic. She learns that the FAN was actually a lesbian couple into the BDSM lifestyle and gets herself invited to their place for a weekend to do some research on the subject.
The weekend begins with tentativeness and nervousness, then moves from polite behavior to overt advances by the couple. The couple are Terri and Kaitlyn, and Leigh quickly assumes that Terri is the Domme and Kaitlyn is the Sub. Especially during the first ad hoc lesson the two lesbians generously provide Leigh.
Following her first experience of the weekend, Leigh warms to the idea of the rough lesbian style of sex and is ready and willing to continue with more of the same. Giving her an opportunity to demonstrate what a quick learner she is. However, that’s when things go sideways and she soon realizes the research project the two had offered, is nothing but a pretense to get her in their clutches. And that neither is the Sub and both are Dommes.
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Two young friends, Kaylie and Sarah struggle through a grueling apprenticeship in a Dystopian future ruled by dominant woman, called Mistresses.
For the first time I am torn between the cover style, dark and nasty or vivid and bold. I have uploaded both. Please let me know which on goes best with the description and summary?
Sarah and Kaylie are apprentices in the conservatory, learning their craft to become full-fledged Mistresses. The training is rigorous and brutal. The girls submit their bodies, physically and mentally to the Lectors that instruct them, then provide for their own Mistresses after their learning is over for the day.
Sarah was the first to be taken by Mistress Hardin, who used cunning and sorcery to subdue the beautiful young girl. When Kaylie learns of how Sarah was tricked into her servitude, she decides to confront Sarah’s Mistress, but things take a turn for the worse and it isn’t long before she too is taken into servitude by Mistress Hardin.
The two girls suffer their time in the conservatory and with their Mistress, all the while plotting a time when they are Mistresses and they can repay Mistress Hardin for her harsh and devious treatment. But, fate smiles and as it happens the two don’t have to wait quite that long. After a long bath together the two initiate their plan just before Mistress sends them to bed.
Nicki’s time with a lesbian cult left a lasting imprint on her young psyche. Following her escape she tried to live a normal life in a small town in New York. Taking in the sights at a popular shopping mall she spots a cute young teen girl that seems to be lost. Old feelings are brought to the surface and she reverts to her past behavior and begins to seduce the girl.
During the seduction, Nicki tells the young girl, Paige all the sordid details of her time in cult known as the Daughters of Lilith. The story has an erotic effect on the young girl and that paves the wave for the consummation of the seduction.
The seduction, like a star burns out in from its intensity. But her the lust for women is far from abated and Nicki is drawn to a bohemian chick that works with her. A departure for Nicki, the bohemian girl, Ivory, is older than her. Which of course brings up more memories of the cult days.
Things in the small town the two live in doesn’t take kindly to their life style, plus her job is threatened by her actions also. Fed up with the whole situation she takes steps to relocate and begin a new life together in the tolerant climate of California.
I wasn’t expecting lesbians in Tomb Raider, the new prequel to the 2001 and 2003 versions starring Angelina Jolie. And yet the film opens with an androgynous lesbian in a boxing ring putting Lara Croft (played by a taut and toned Alicia Vikander) through her paces. The anonymous dyke even defeats our heroine with a headlock, but not before Lara realizes her limits and sets her sights on exceeding them. So thank you, unnamed lesbian character, for putting our protagonist on her path!
While this edgy, gritty reboot may offer less Lara Croft eye candy than our Angelina (Norwegian director Roar Uthaug seems immune to objectifying his female subjects), there are some welcome amendments to the Tomb Raider formula including the casting of Oscar-winner Vikander herself: she is no iconic plump-lipped bombshell in body-hugging fetishwear — not that there’s anything wrong with that!).
I personally miss Jolie’s iconic performance of a Lara that fit the end-of-the-millennium, post-lesbian chic vibe perfectly. But oh, how times have changed with (necessary) super-serious social media-driven feminism and the advancement of big screen special effects. This movie packs more punch and this Lara is dressed for rugged action and self-defence. She’s determined to find out how her father, Sir Richard Croft (played by Dominic West) died, and she refuses to inherit the family fortune or take a bubble bath until she does.
Cue old-fashioned stuff about a secret chamber, antique puzzles, enigmatic maps, a priceless amulet…and then the action sequences begin, such as Lara fighting to survive a gargantuan storm in the Devil Sea, and escaping from a rusty skeleton of an airplane perched over a plunging ravine via a tattered parachute.
Vikander is mesmerizing with her ridiculously toned abs and her soulful, expressive eyes. Watch her run, swim, scale rocks, and leap over chasms while panting, grimacing in pain, and grieving her father. She’s not so much a computer avatar as she is a young woman for the #MeToo protest generation who is battling the odds set by crazy or corrupt older folks. This heiress in denial refuses her fate and would rather stubbornly pursue her own instincts.
Sarah, a closet lesbian, wakes one morning to find she is extraordinarily aroused and is forced to deal with the problem throughout the day.
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Sarah is beginning her senior year at a local community college outside Cincinnati. She still lives with her parents and her life seems to be in flux. She is torn over her suppressed desire for other women, and so much wants to move out and express lesbian inclinations.
On one particular morning after the alarm clock roused her from her sleep, she realized she was abnormally turned on. Little did she dream, and much to her dismay, the situation would plague her the entire day,.
The constant horniness haunts every facet of her day, even while taking the bus to class. It creates situations that, to Sarah it all feels surreal. From the bus ride to the first class of the day, the urgent desire intensifies and the atmosphere seems to play along with the situation all the way to the ladies room.
Despite all the erotic situations, Sarah is only allowed to be a witness, never a participant. The stress of her decadent experiences, combined with her hyper-arousal begins to take its toll and just when Sarah feels things can’t get much worse, she realizes she has practice after school, wrestling practice!
The juxtaposition of young girls rolling around clutching each other’s bodies in competition just about puts Sarah over the top, prime for either a nervous breakdown, or a monstrous climax she isn’t sure which.
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Following the untimely death of Brianna’s life partner, Emily, a long suppressed lust of young teenage girls awakens. A lifelong lesbian she remembers her first experiences, with an older woman. She strongly believes that was the catalyst for her penchant for young girls as she reached maturity.
The run down trailer park she lives in, provides her with many opportunities to have her desires satisfied. Whether it is the preacher’s wife, or the daughter of a neighbor. She enjoys a rejuvenated sexual life among the residents of the park, all while the husbands are away at work.
Her wantonness takes on new significance when she begins to have an affair with Moira, the daughter, of a woman, June, she is already having an affair with. In a way young Moira reminds Brianna of herself at Moira’s age.
The arrangement does create a bit of a logistics problem; arranging her trysts so mother and daughter don’t run into each other.
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Although this article is a bit dated, the same things highlighted are timeless elements of a failed relationship even in the vortex of hysteria of 2020.
Most first dates don’t become second dates. Then most second dates don’t become third dates, so by the time you are on a third date, you might be thinking this could be serious.
And if you’ve had sex already, you do think it’s serious. Right?
So what’s that about anyway? It all seems so hot and fun and perfect in the beginning? Well it’s what happens as you get to know each other, and sometimes it happens fast and sometimes slow.
The story usually goes like this …
You meet an amazing and sexy lesbian. You actually hit it off. You connect and share numbers and she wants to see you. You can’t wait to see her again.
So you set up a time to have coffee, a drink or something to eat. It’s fun and full of laughter and you’re thinking, “Wow! How lucky am I?”
But do you also pay attention to what she’s saying? Do you really listen? Because everything she is saying has potential to be important information about whether this relationship can last or not.
You hear her say, “I’m not very good with commitments. I’m always canceling out on my friends.”
What? Is that important? Yes it is! It means she’ll set up stuff with you and cancel, and she’ll cancel often.
Then she tells you she hates to work out. She’s never done anything athletic or broken a sweat. Is that important? Only if its important to you to work out with your sweetie because this woman just told you she’s not that type of girl. So you are on your own with the workouts.
Maybe she mentions she’s just broken off a two-year relationship a week ago. Are you paying attention now? Don’t blow by this one!!
She’s raw and lonely and looking to fill the gap created by that breakup. Plus, if it was a really mean breakup and you’re sitting there telling her how sexy she looks or how funny she is, you are definitely making her feel a lot better. But she’s not dating material, my lesbian friend. Run away!!
So what you get is a rush of initial contacts and a playful, fun connection with this woman, but you’ll also get her being unable to commit and being wishy-washy about what she wants.
Then, during one particularly interesting conversation, she tells you she’s awful with communication, all her exes say she’s terrible about sharing what’s really going on, hates deep conversations and likes to keeps things on the surface.
Are you paying attention? She’s telling you who she really is, and she’s telling you where she’s not very good with relationships. She’s telling you where the fights have been in her past.
She’s not going to suddenly be different with you! You are not the miracle woman who’s going to suddenly make her into a different kind of lesbian.
This is the mistake I see woman making over and over
You’re not listening to what a woman says, and beyond that, you do not believe her. You’re fantasizing that she will be different with you.
Wrong! Wrong! Wrong!
When you take the time to be present, listen to what a woman is telling you and pay attention to her actions, you’ll start to recognize when a relationship should be over sooner rather than later.
I highly recommend that you end it earlier rather than later.
End things before you both get your heart and ego so entwined that it’s going to hurt badly. End it before you get so hung up with the sex that you can’t see straight. End it when her actions consistently show you that you are way more into her than she is into you.
And if that’s not the case and she’s more into you than you are into her, end it. You’re just leading her on, and it’s going to be a whole lot of hurt for her the longer you let it go on.
Finally, if it seems things really are working (your values click, your goals in life click and your lifestyles click), then keep at it and enjoy it for all it’s worth.
Hopefully 90 days out, it’ll still be that good (and nine years out, too).
When you stop playing games with yourself, you’ll know if a relationship needs to end early on and be the brave one to do it. Sooner is better than later!
Romantic Lesbian Erotica 